4/20/2023 0 Comments Digital omnipresenceIt then discusses some of the major changes in historical practice before outlining the three major themes that are explored by the various articles in this thematic issue – digitisation and the archive, digital historical analysis, and historical knowledge (re)presentation and audiences. The article offers a short survey of history and computing since the 1960s with particular attention given tothe situation in the Netherlands, considers various definitions of ‘digital history’ and argues for an integrative view of historical practice in the digital age that underscores hybridity as its main characteristic. This tendency towards technological determinism needs to be balanced by more attention to methodological and epistemological considerations. read more is too much emphasis on tools and data while too little attention is being paid to how doing history in the digital age is changing as a result of the digital turn. This introduction is concerned with the changing practice of ‘doing’ history in the digital age, seen within a broader historical context of developments in the digital humanities and ‘digital history’. Those who have represented him have doubts.Digital humanities seem to be omnipresent these days and the discipline of history is no exception. … Some people provide in their will how the intellectual property may be used over a period of time, but we don’t know what his estate planning is yet.” “Whoever ends up being the administrators and executors will make those decisions. “Bluntly, it won’t be his decision to make anymore,” says Howard Weitzman, the attorney for the Michael Jackson estate. He’s also been a fan of Tidal, the Jay Z-owned, artist-friendly streaming service.īut soon, dozens of his albums - plus all the stuff he hasn’t yet released - could be even more widely available than he could ever have imagined (or personally allowed). Today, Prince’s music can be heard on some platforms like Pandora and SiriusXM, which rely on compulsory licenses to perform music and don’t need his explicit permission. But fans sharing music with each other, that’s cool.” He later explained to the BBC, “Nobody sues their fans … I have some bootlegs of Lianne but I wouldn’t sell them. A few days after filing, amid a big public backlash, the lawsuit was withdrawn. In 2014, for example, he sued 22 Facebook users for linking to bootlegs of his recordings. Throughout the years, Prince has consistently raised eyebrows with an assertiveness bordering on manic. For Prince’s efforts, he received the “Raspberry Beret Lifetime Aggrievement Award” from the Electronic Frontier Foundation when it decided to erect a Takedown Hall of Shame. Nearly a decade later, this litigation is still ticking, with the 9th Circuit Court of Appeals recently handing down a landmark decision holding that copyright holders must consider fair use when sending takedowns. Pursuant to the Digital Millennium Copyright Act, the publisher then sent a takedown notice to YouTube, which led Lenz to file a lawsuit in 2007. And so when one woman named Stephanie Lenz uploaded to YouTube a 29-second clip of her toddler dancing to Prince’s “Let’s Go Crazy,” he let it be known to Universal Music that he wasn’t happy. He was so fiercely protective, the musician wanted to change the law to stop other artists from covering his songs. Sure, there have been plenty of musicians who let out screams when Napster came onto the scene, but few were like Prince. Many of those writing about the musician just found it easier to speak about him as “the artist formerly known as Prince.” The change of name even had Warners scrambling to send out font software so that reporters could incorporate the symbol into stories. When that happened, he began appearing in public with the word “slave” written across his face. The story goes that the artist wanted to release more music and wanted to own his masters. Rolling Stone magazine ranked it as the fourth-boldest career move in rock history. The story of how Prince - full name Prince Rogers Nelson - changed his name to an unpronounceable “love symbol” in the 1990s during a contractual fight with Warner Bros. Our solution provides a 360 view of all customers and the omnichannel journeys needed to orchestrate their operations. Omnipresence is a unified customer experience platform for life sciences that delivers unbeatable value to pharmaceutical, medical device, and consumer goods organizations. Many of the top streaming venues like Spotify and Rhapsody don’t have his music, and while there are outlets like Tidal that boast an extensive catalog, the lack of digital omnipresence is in many ways a testament to the fierce and independent nature of this musician. Omnipresence Omnichannel Capabilities for Life Sciences. Mourners scouring the internet to find classic Prince albums such as Purple Rain, Around the World in a Day and Sign o’ the Times will find the task almost impossible.
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